Many composers explore the comforting security that an single feels when he/she is able to belong. However, there are many texts that explore the types of barriers that whitethorn prevent an item-by-item from belonging or which may reverse his/her choice not to belong. This notion of belonging is explored in snapshot Skryznecki’s poems Ancestors and expectcard, Niki Caro’s 2002 film Whale Rider and Lauren Weisberger’s novel The Devil Wears Prada through the use of various poetic, cinematic and literary techniques. Cultural friendship can give an individual a sense of belonging, however for Skrzynecki his lack of ethnic noesis is a barrier to his ability to feel he belongs. His unfitness to share his father’s ethnic background and experiences gives him a strong sense of alienation evident in the poems ‘Ancestors’ and ‘ mail service card’. This lack of cultural identity and knowledge acts as an obstacle to his ability to fe el a sense of link to others. In Ancestors, as in Post card, Skrzynecki reflects on the licking he feels because of his lack of knowledge of his family’s culture.

The barrier mingled with Skrzynecki and his cultural knowledge is portrayed in the dark, haunting rendering of his ancestors in his dream, ‘Who are these shadows/That hang over you...’. The use of the rhetorical interrogative highlights the uncertainty and alienation that he feels about his cultural identity. The fable “tongue dry as caked mud” symbolically reflects the heart-to-heart landscape that is the poet’s exist ence in line of mathematical product with ! the serene and beautiful images of the “moonlit plain”. However, this beauty is not shared by Skrzynecki due to the lack of any meta bodily bond with his ancestors. ‘The wind tastes of subscriber line’ is symbolic as it represents his barren cultural understanding and the separation from his ancestors and yet alludes to the physical blood bond between him and them....If you want to get a bountiful essay, order it on our website:
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