Tracka History

Tracks are the bars that grasp e truly career-full and invigorationless life. It is the reason of existence and not being and but it has no reason to its aver being The go of gay life Initiates on an aching star Inside a benignant life. It Is by this way that every track is born from an existing track to empower family to a new track with the pain and strive for its survival. The birth of a new track, the birth oaf human life continues the distortion of Its Journey under Its crafting and being crafted. The track hen widens and branches into various phases that life has to undergo.Every life possesses its own track which lays a unique awe of colors, flavors, and aromas. The human elite begins with the fetal pain and enters the cheerful, merry phase to childhood which is the stir arrival of the tracks among other tracks. It chirps with hues of innocence and freedom and the sweet flavor of in padness and gullibility. Then the phase to adolescence is hoot-marked by the tra cks with hues of upcoming matureness and n maventheless instability, impulsiveness, and drippy blows, lush and gleam, Inquisitiveness and irresistibility and the sweet fragrance of a entrancing smell of growing up and yet being juvenile.It is all told because of the tracks that switch over their r out(a)es and shapes. Then the youth spreads its golden wings with the flavor of velour, passion, potency, piquancy, gallantry. It Is also with cup of tea and might and the vigor that love adores in it pours in its thrilling attractor towards other tracks, perception to mingle with another track to beat as one and to produce another out of Its existence. It Is these tracks that bloom relationships as hey bear on each other. It is also a sense of belonging, a sense of inequality amalgamated with hot enthusiasm that also leads to confrontations between lives and hence tracks.It Is consequently that tracks bring human life to adulthood with compassion and ripened maturity with paren thood and sympathy, with Indulgence. Perception and harmony towards other beings. It is here that the tracks start to ripen, to gather a realization of responsibilities, the ultimate goal of tracks. Then the tracks wrinkle and decolonize, they meager, departure as much residual wisdom as Seibel drooping dispatch the lives, growing old, fragile and shaky and finally hand over the lump to experiences to other tracks to lay hints tort lives to go on and on, however pessimistic it may seem to be.The scrawny tracks shed but are yet immortal, as they lay behind evergreen generations. Similarly, the Journey of a disgorge begins in DARK TRACKS, deep beneath the earth with immense apprehension and yet hopes to have an acquaintance with light, knowing not of the slaughtering and exterminating heat that accompanies It. The kill seed striving for growth ruminates, Witt the branching up to its painful track to soar high above earth yet remain anchored and grounded to its roots. The tracks reorganise its germination to the seedling phase, consuming the resources and the efforts to lead its formation.It grows with traits of tenderness, softness, and delicacy. The seedling, along with the widening of tracks widens and blooms into a crap and then into a kind tree. It is then that the tracks take them to places where they have to pay back the returns and much more than that utilized. They shed and regret endlessly, with heir fruits given mirthfully or rather taken happily They serve their master tracks- the human beings as givers. And perhaps sacrifice their lives by letting us savagely cut off their tracks. And then the tracks fall as the life falls.A non-living being also has an expedition of its own, often unnoticed. The pencil enters its expedition with a sense of completeness, wholeness, vividness, originality and totality unlike the living ones. It then enters a phase of sharpening that sets its Journey on until it sheds itself. The tracks gradually become na rrower and shrink as they succeed. The pencil harpers itself, hoping to remediate the marks it leaves, to paw mark itself to serve its master-the human being, who though is the churchman of the pencil, is not the creator of its tracksIt then feeds marking and blackening and writing lives losing its own And then as it feels its growing the precedence of tracks deteriorate its existence. The only inequality between Journey of a life-full and a lifeless one is that tracks make the former grow up as they change, whereas the latter shrinks down. The formers life is so simply started that it makes it complicated whereas the latters life s so complicatedly started that it ends simply. It is the beauty and grandeur of tracks that though they lose significance without a traveler, they are not created by the travelers.Although they provide choices to go on, they bind us in chains somewhere in time of which we realize when weve lost the assumed control. They also key out and bring corresp ondence to all prisoners despite their uniqueness and disparity. It dissolves the boundary of short and rich, masculine and feminine, black and white, strong and feeble, animals and plants and to an extent- living and non-living Every track has a Journey- whether a Eng one or a short one, a complete one or an incomplete one.The Journey though different, is always amongst and with all tracks. Every Journey has a purpose and the tracks are those which chain them to it, and so it fulfils its being. Be it Journeys of living beings or of non living beings, all tracks mingle in one point estimable as they are born out of the hands of one single creator- the almighty. Here, I remember of a very famous truth, Dust thou art, to dust returnees. They circle around one single destination- death, closure, end . Every track ends, what differs is Just the pace of ending, it is Just the fate of